For the past four months, the set at the Hideout has been a Victorian-era cityscape, originally painted for the Dickens set, and carried on into the Austin Secrets run.
But now it’s time to bid a fond farewell to the city, so that the set can be properly Saul Bassified for the Hitchcock run. The first step is going back to black. Large red and orange shapes will begin appearing over the next few days. And by appearing I mean that Kaci will painstakingly paint them by hand.
Stay tuned!
Saul Bassified is an awesome phrase!