Death to Secrets

As the final Austin Secrets show approaches (Saturday the 27th!), I’d like to reflect a minute on its success.

Via any measure we care to use, it’s been the most successful show The Hideout Theatre has put up… as least as far as we know. Every show since the first one has sold out, and we’ve regularly been turning away 15+ people from the box office. In fact, the past 3 weekends have sold out online before the physical box office opened, and with 33 presales already, the final weekend might even sell out before Saturday.

It’s one of those rare shows that audiences love, and that the performers equally love being in.

How do we know, beyond mere ticket sales, that audiences are loving the show? Well, it turns out, we actually have metrics for that.

On our website, when you purchase a ticket, it asks you how you heard about the show. You see a little dropbox with lots of options, like this:

How Did You Hear About the Show?
How Did You Hear About the Show?

Your answer gets stored in a database, and as time goes on and orders come in, we can run reports on the collected information. The report we’ve been running looks at all the orders placed for Austin Secrets, and for each option in the list, counts up the number of times people have cited it as the way they heard about the show.

What do you suppose is the number one option?

It’s Word of Mouth, hands down.

After running the most recent report, 64 people said “Word of Mouth”. 2nd on the list is “Internet Search”, with 8 (well, actually, it’s 4th. 2nd is people who left the field blank, and 3rd is people who chose “Other”, but didn’t fill in what that “Other” was).

Not only is that a strong result, but “Word of Mouth” is also proportionally higher for Austin Secrets than for other shows. That means that more people than usual are spreading the word to their friends and saying “You have to see this show.” That, as you might imagine, is a very good thing.

Word of Mouth is actually the ideal way to market a show. It’s buzz. It’s people talking about a show. It’s free. It’s also a little frustrating, because it’s largely out of your control. The best you can do is measure it after the fact.

If you’re really interested, here are the complete results of the most recent report:

   Word of Mouth             64
   Blank                     16
   Other                     10
   Internet Search            8
   Austin Chronicle Listings  7
   Facebook Status            7
   Checked Hideout Website    7
   Read a Review              3
   Don't Remember             2
   Google Ad                  2
   austin360.com              2
   Meetup event               1
   friend                     1
   Poster or Postcard         1

So that’s the technical side of things.

The more visceral side is that this show feels special. At its best, it’s a rollercoaster of extreme comic highs, and utterly solemn dramatic moments. Just reading the secrets sometimes evokes gasps, awwws, or riotous laughter from the audience, and they IMMEDIATELY get that the tone of the following scene will and should reflect the tone of the secrets. The Truth Chair segment, when it goes right, demolishes the wall between the performers and the audience, and suddenly we all feel like we’re on this crazy voyage together.

To quote one random person on FourSquare, “Austin Secrets show. It made me laugh AND cry!”… pretty much the perfect praise.

Okay, so I’m gushing and bragging. But so what. I’m insanely proud of this show, and as we head into the final weekend, the only question remaining in my mind is, “How soon can we bring it back?”.

Cheers,
Roy Janik
Artistic Director

P.S. There are still some tickets left for the final show as I write this. Click here to buy yours.

4 Comments

  1. This post makes me want to laugh AND cry! Well, my friend, you are a genius for putting this thing together. Kudos. Kudos to your direction. Kudos to my fellow performers. Kudos to our tech. And kudos to people sharing their vulnerable human stuff.

  2. You guys used both of the secrets I submitted…I feel validated, and happy that someone else may have gotten some good out of them…because they are painful. I wish there was video of the shows they were used in, though. Long live Austin Secrets!!!

  3. Heh, I love to see the Chron outdoing the 360.com,
    even if (how sad!) we account for only 7 people.
    (Well, not counting those possibilities who leave forms blank.)

    But, yeah, a show like this one,
    with the potential (and then actual) audience having contributed the sparks,
    and especially with the very personal TYPE of sparks that they are …
    yeah, word-of-mouth will perforce be Numero Uno & generally robust.

    And then, since it’s Y’ALL performing, the shows themselves are terrific,
    and so the buzz only continues to happily increase.

    Congratulations!

  4. I echo Lisa’s kudos above. I’ve only been able to play in (and therefore see) a few Secrets shows, but they have been fairly uniformly wonderful. Last week, a scene that could have just been played for yuks in any other show (hurr hurr retards are funny) actually had me a little choked up there on the side of the stage by the time it was over. It’s been a pleasure and an honor to work with such a talented cast in such a great show, and I eagerly look forward to its return. See you this weekend!

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